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m i s c e l l a n e o u s

#68 | CREAKING WOODEN FISH

Based on our subject ‘gravity’ and its relationship with sound, I started creating a ritual of placing the glass balls in specific places on the ground. When I wasn’t holding any balls, I asked from myself and the audience to focus on the story behind my movement, the empty

space because of the lack of the object, as well as to imagine where my ritual would lead to.

After I finished with the placement of the ‘planets’, I was ready to fully destroy my ‘creation’ and create new relationships, new shapes in the space, new life.

I continued with my next ritual, where my goal was to bring on thoughts relevant to how

antigravity can deform an object, change its state, as well as how deeply we are all

connected and defined by gravity on this planet. I used sign language to warn the audience

for the next pop, but nothing changed their reaction to a "violent" sound. The change of

state of the balloon, from light, floating and bright, to crumpled plastic hanging heavy on

the floor adds a dramatic and maybe unpleasant tone. This was a collaboration with

musicians, dancers, and visual artists.

Work created during PAS, in collaboration with PAO – Performance Art Oslo & KHiO – Oslo National Academy Of The Arts.

Led by Bbb Johannes Deimling with guest teacher Konrad Juscinski.

Performance at PAO Festival.

Photo by Monika Deimling 

Walk of Ashes

 

Being inspired by the ash walk, I worked with the senses of micro-movements in the body

and the notion of infinity. I imagined that there was a thread passing through my umbilicus,

connecting the past with the present and the future. Holding my vertical axes, I was thinking

of carrying my inner treasure through time while moving inside a piece of clay. Staring

blurrily to eternity, while trying not to blink, and holding my mouth slightly open, I was

leaving my many selves behind by thinking of ashes falling from my mouth. I could keep

walking forever. My one activity during this performance was to bring a memory from the

past to the present by alternating the senses involved, by adding colors and smells, sounds

and textures.

Work created during PAS at KHiO – Oslo National Academy Of The Arts.

This work is meant to be long durational.

Led by Bbb Johannes Deimling.

Photo by Monika Deimling 

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